Method Studios and J. Edgar
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January 19, 2012 | 1:59 pm or 2:59 pm GMT
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The Art of VFX talks with Ollie Rankin & Geoffrey Hancock about the visual effects on J. Edgar.

from the The Art of VFX article:
What is your background?
Ollie Rankin (OR): I’m from New Zealand, where I studied computer science and specifically artificial intelligence, a background which got me my break working on the team that developed the Massive crowd pipeline at Weta for THE LORD OF THE RINGS. Since then I’ve worked in California, Tokyo, and the UK before joining Method Studios in Vancouver three years ago as a CG Supervisor on INVICTUS, which was our most recent collaboration with Clint Eastwood and Michael Owens.
Geoffrey Hancock (GH): I began working in Vancouver in 1994 doing architectural visualizations and commercial work. Subsequent years of fast paced television series work and smaller films requiring a wide range of effects has given me a solid background for today’s more specialized effects required by larger feature films.
How was the collaboration with director Clint Eastwood and Production VFX Supervisor Michael Owens?
OR: Once again it was a great pleasure working with these two. Clint pretty much entrusts the entire responsibility for his films’ vfx to Michael, so we know that when we have completed a shot to Michael’s liking, it will almost always be blessed by Clint. This is the only director/vfx supervisor pairing I have ever worked with where such trust exists.
GH: On the three films (CHANGELING, INVICTUS, J. EDGAR) that I’ve had the pleasure to work with the Malpaso Production crew, I’ve been struck by the professionalism and dedication they exhibit both on set and through post production. We primarily deal with Michael Owens on a day-to-day basis, both remotely from his home and in the studio when he comes to Vancouver. Through the early part of post we are often in close contact with their editorial team, as sequences often evolve once the visual effects shots come together and options for expanding the story are discovered. One of the cornerstones of our work together is the trust between all parties involved and the excitement of working on great stories.
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