from The Art of VFX:
How did Fuel VFX got involved on this show?
We’ve been working with Marvel for a few years now. THE AVENGERS is the fourth film we’ve done following IRON MAN 2, THOR and CAPTAIN AMERICA and it was really good to work with Janek Sirrs (VFX Supervisor) and Susan Pickett (VFX Producer) again who we got to know on IRON MAN 2.
Can you tell us more about your collaboration with Production VFX Supervisor Janek Sirrs?
Janek is great to work with because he’s a very good communicator and gives clear briefs with reference materials to help illustrate the look or feel that’s required. We’re very fortunate with Marvel that we’ve been trusted to bring some of our own design ideas to the table, and Janek is excellent at giving the necessary feedback on what’s the right direction for various effects.
What Fuel VFX done on this show?
Fuel looked after three sequences in and around Tony Stark’s penthouse. In a scene near the film’s opening Tony and Pepper are celebrating Stark Tower coming online when Agent Coulson from S.H.I.E.L.D interrupts them. Fuel designed and created the various holograms featured in this scene that give an insight into some of the other members of the Avengers team as well as the tesseract artefact.
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